Peter Mark
October 16th, 2014 | by pinzon17
Actor, bachelor degree by 2014 UCAM-. Dancer of Esther Weitzman Dance Company since 2011. Half Of The Time – Esther
October 16th, 2014 | by pinzon17
Actor, bachelor degree by 2014 UCAM-. Dancer of Esther Weitzman Dance Company since 2011. Half Of The Time – Esther
October 16th, 2014 | by pinzon17
Vandre Vitorino is contemporary dancer, contact improvisation researcher, pilates instructor and studious on the state of presence, Being and meditation.
October 16th, 2014 | by pinzon17
If affections move a choreographer, then they manifest themselves throughout his/her works. Choreographer and researcher Esther Weitzman’s signature joy turns
October 16th, 2014 | by pinzon17
Jogo de Damas Adriana Pavlova It’s always very good to see a creator being able to reinvent herself. In
October 16th, 2014 | by pinzon17
O Tempo do Meio “The Time in Between” Esther Weitzman Dance Company Silvia Soter When it comes to dancing,
October 16th, 2014 | by pinzon17
O Que Imagino Sobre a Morte Reviewed by Silvia Soter (Jornal O Globo, Segundo Caderno, 17/05/2009) “(…) Strongly connected with
October 16th, 2014 | by pinzon17
Territórios Jornal do Brasil – 11/08/2006 Open Territories for Male Expression Eight dancers. Eight Men. Eight different territories. That is
October 16th, 2014 | by pinzon17
Por Minha Parte JB Online – 4/6/2005 Poetic and Organic – Por minha parte encloses the public The color of
October 16th, 2014 | by pinzon17
Sonoridades Bringing together both Clarice Lispector’s writings and dance’s vernacular could very well be Sonoridades’ main goal, something which is
October 16th, 2014 | by pinzon17
Terras Crítica publicada no Jornal O Globo - 01/11/1999 The exile is at the core of TERRAS, of Esther Weitzman. The
October 16th, 2014 | by pinzon17
Terras “(…)Esther’s professional career doesn’t present an unique formal technical system, in her modus operandi, though it’s possible to recognize
October 16th, 2014 | by pinzon17
“The serious and clear movement research on the themes she wishes to approach makes the difference between choreographic creation and
October 16th, 2014 | by pinzon17
Entrando na dança traz espetáculos para Marechal Hermes, Vila Kennedy e Campo Grande De maio a outubro, o projeto Entrando na
October 16th, 2014 | by pinzon17
Teatro Municipal recebe turnê da Cia. de Dança Esther Weitzman MACAÉ (ABN NEWS) - Depois de uma semana onde a
October 16th, 2014 | by pinzon17
Esther Weitzman volta a cena com o espetáculo O que imagino sobre a morte: “Este é um ano de colheita”.
October 16th, 2014 | by pinzon17
Funarte premia mais de 230 projetos de dança e teatro
October 16th, 2014 | by pinzon17
Territórios abertos para a expressão masculina
October 16th, 2014 | by pinzon17
Hoy en Junio Musical habrá danzas de Brasil, muestras de trajes y disfraces… y más música!
October 16th, 2014 | by pinzon17
Poético e orgânico – Por Minha Parte envolve a platéia
October 16th, 2014 | by pinzon17
Filhotes da dança: Panorama RioArte começa amanhã com novos balés de nove coreógrafos cariocas
October 16th, 2014 | by pinzon17
All of a sudden, we are taken by the movement of dancers who are deeply involved with their gestures. These
October 16th, 2014 | by pinzon17
The awareness of our finitude, death, aging, and the changes resulting from the movement that the body can perform were
October 16th, 2014 | by pinzon17
The new work, has forces , intentions and contours not previously used in the choreographic writing Esther Weitzman , proposing
October 16th, 2014 | by pinzon17
“The artists who take part in the creation of Territórios with me are already well-known for their careers in other
October 16th, 2014 | by pinzon17
“Por minha parte sprang during the last company tour, through the North region of Brazil. It is my imaginary country.
October 16th, 2014 | by pinzon17
Loosely based on Clarice Lispector’s novel Água Viva, Sonoridades marks a special moment in the trajectory of the Esther Weitzman
October 16th, 2014 | by pinzon17
We are always looking for something: a land, an ideal, a religious commitment, a love affair. Something that might hold
October 16th, 2014 | by pinzon17
“From now on we don’t know that we are strangers to ourselves and starting from this basis is that we
October 16th, 2014 | by pinzon17
Traces and paths Tales and lies That mingle with the stories of our day to day
October 16th, 2014 | by pinzon17
Inspired on collective unconscious over the mith of the king and his cycle of life. This piece was done because
October 16th, 2014 | by pinzon17
From the elements present in Terras and Presenças no tempo, Esther Weitzman created this solo, searching, in the body of
October 16th, 2014 | by pinzon17
Embroider time. Weave and unweave. The reunion of three interpreters willing to reevaluate the nature of their relations among themselves
October 16th, 2014 | by pinzon17
This piece searches a new investigation, a research of time. The gesture is the tonic of this work, in which
October 16th, 2014 | by pinzon17
One and the same place, the same way, the same soil. done by two. done two paths, two seats, two
October 16th, 2014 | by pinzon17
Dance Teacher, Choreographer and a Dancer. I am currently dancing with Esther Weitzman Compania de Dança, performing in the shows
October 16th, 2014 | by pinzon17
Mônnica Emilio is a dancer, actress and teacher. Currently she is teaching at Cândido Mendes University – UCAM (RJ) and
October 16th, 2014 | by pinzon17
Dancer and actress graduated by Angel Vianna (Center for Education and Study of Movement and Arts) and Tablado Teatro Maria
October 16th, 2014 | by pinzon17
José Geraldo Furtado Jose Geraldo Furtado was born in 1962 in Leopoldina-MG. Lives and works in Rio de Janeiro. Master
October 16th, 2014 | by pinzon17
Miriam Weitzman Specialist in Education and Inclusion PUC/Rio, graduated in Pedagogy in Rio de Janeiro, trained in Pilates at the
October 16th, 2014 | by pinzon17
Dancer, choreographer, producer and teacher, graduated from the Faculty Angel Vianna (2004) with extension degrees in UniverCidade (2006), where she
October 16th, 2014 | by pinzon17
Gisele Alvim has a degree from Escola de Dança Maria Olenewa do Theatro Municipal do Rio de Janeiro and has a major
October 16th, 2014 | by pinzon17
Paulo Marques began his career in dance in 1980 and has since performed as a ballet dancer, teacher of ballet,
October 16th, 2014 | by pinzon17
Alexandre Bhering All of a sudden, we are taken by the movement of dancers who are deeply involved with their gestures.
October 16th, 2014 | by pinzon17
Patricia Riess is a Licensed Dance Teacher, at the Dance School / Univer Cidade-Rio de Janeiro (2000), Post-graduate in Artherapy
October 16th, 2014 | by pinzon17
Alessandra Vitoria Journalist, producer, editor and documentarian, Alessandra Vitória has been working in print and broadcast TV in Brazil and
October 16th, 2014 | by pinzon17
Mariana Souza Born in 1985, in the city of Lorena, Sao Paulo State. She is a ballerina with a BA
October 16th, 2014 | by pinzon17
Ballerina, physical tharapist, Pilates and Gyrotonic instructor. Began as a dancer em Brasília in Grupo Braziliense de Ballet until 1990,
October 16th, 2014 | by pinzon17
Renato Mangolin Still photographer since 2005, has photographed major theatre and dance companies, among them the theater workshop and theatre
October 16th, 2014 | by pinzon17
Set designer Partner of Folguedo, a set design and content office with expertise in exhibitions and events. Collaborated with Esther
November 24th, 2014 | by pinzon17
Dandara Patroclo Santos, dancer trained in the art of dance at Dance Center Rio period 2008 to 2012, attends the
October 16th, 2014 | by pinzon17
Beatriz Cerbino Is Professor at Universidade Federal Fluminense/UFFin the undergraduate course of Cultural Production and in the GraduateProgram of Contemporary
October 16th, 2014 | by pinzon17
Flávio Pereira Flavio Pereira is a designer, musician and photographer, working at SESC – National Office in Rio de Janeiro
December 12th, 2014 | by pinzon17
It was formed in the course of professional actors of CAL (House of Arts in Orange) in 2010. He has